It has been a long time since 1990 – 27 years, maths fans – and since those heady days, when Twin Peaks took over the world for a short while, we’ve had all kinds of dramas on television that have elevated the medium to new heights. Just think, we’ve had The Wire, The Sopranos, Sex And The City, Mad Men, Breaking Bad, True Detective, The Killing, The Bridge and the rise of Netflix and other streaming sites. All genre-defining – era-defining – dramas that have raised the bar. But at the start of it all was Twin Peaks. It struck a chord for so many people – me included – thanks to its beguiling alchemy of whodunit, police procedural, soap and a melodrama (unashamedly so), as well as Lynchian expeditions into other dimensions and the subconscious. There were memorable characters, cliffhangers, emotionally engaging moments, as well as terrifying scenes aplenty that are still branded onto my retinas. Despite its many influences, it became a post-modern masterpiece, something genuinely fresh and new. But 27 years is a long time, and even though I’ve been impossibly excited by its return there was a kernel of dread fomenting in my belly. How would it hold up after all these years and after so much good envelope-pushing drama? My only hope was that this new run of 18 parts, this return to the world of Twin Peaks, would not be engulfed by the new benchmark in quality we’ve seen develop over the past decade or so. I just wanted it to hold its own and be good. It was more than that.
NB: Spoilers inside Continue reading Review: Twin Peaks (S3 E1&2/18), Tuesday 23rd May, Sky Atlantic