Lilja Sigurðardóttir is part of the new wave of Icelandic crime fiction, a now burgeoning and internationally-recognised source of mystery and thriller stories.
The island’s crime fiction community is indebted to the likes of pioneers like Arnaldur Indriðason, Árni Þórarinsson and Yrsa Sigurðardóttir, who forged a furrow for the likes of Lilja and Ragnar Jonasson and others to follow.
Although Lilja has written several novels, Snare was the first to be translated into English (by Quentin Bates) and released in the UK last year, by Orenda Books. Now we hear that the novel has been optioned for TV.
Before we hear from the woman herself, Snare…
After a messy divorce, attractive young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash.
It’s a fresh, modern thriller and reading it you can see it would work well on television.
I managed to catch up with Lilja at the recent Balham Literary Festival.
“Of course, I was thrilled when I heard because I consider myself a very visual writer and see the stories in my mind. I was really hoping for Snare to become a TV series, so when Palomar Pictures in the US said that they wanted to make a TV series I was really pleased. And then they thought maybe it would be better as a film, but then they changed their minds again. So it’s definitely going to be a TV series.
I am also a scriptwriter for TV, so I was really happy and it maybe gives me the option to have something to do with it even if I always think it’s wise to let go of your babies and let other writers get involved because you can get too close. That’s the magic of TV or theatre or film – it’s a combination of people’s talents.
I’m thinking about whether I should be involved, so I’m open to discussion. It’s usually a five-year process and production doesn’t start until it’s fully financed, so we’ll see. I’m excited to see what happens!”
Let’s hope it comes to light, because Snare is a great read and could make for a really good series.