
In fact the way this second episode examined the emotional toll of working on a case that had dragged on for over 15 years was all to see. We saw the FLO (Family Liaison Officer) Patricia explain the difficulty in having to comfort yet another victim of the Night Stalker, we saw the victims themselves come to terms with being sexually assaulted (one, a Polish war veteran – male – found it difficult to open up about his abuse) and even DCI Colin Sutton himself was beginning to feel the strain and find a personal connection to the case.
After a family barbecue attended by his elderly parents, he made a point of telling them to be vigilant as they left his house. Everyone had to be on their guard.
And, by now, Sutton was in charge. The investigating officer – Simon Morgan – was now at home on sick leave (whether this was his choice or whether he was told to do so was open to interpretation), so it was Sutton’s gig. Despite warnings that he had bitten off more than he could chew, he couldn’t resist the challenge – he streamlined the investigation and, after one attack, saw the man they couldn’t catch on CCTV.
Like most scripted crime dramas, it followed the beats – a mini breakthrough, a near miss, a suspect processed… (it’s a primetime ITV drama, you have to allow for the odd set piece and chase scene). What was more interesting to me was the bureaucratic processes Sutton had to work through and the subtle ways he was winning Morgan’s team around. He had decided the investigation needed to change tack and suggested an idea he had used on a previous investigation earlier in his career – to go nuclear.
Get so many officers on the ground in a specific areas and hope the Minstead Man got caught in the web. This level of policing required special clearance and budget sign-off from the Force Tasking Group, and there was a strangely thrilling last segment, where Sutton presented his suggestion to an assorted group of police officers who had expertise and knowledge of not only surveillance but also how to win over the people who control the budgets.
It was fascinating and really watchable – who knew a meeting in a boardroom could be?
But really, I was very impressed especially with the emotional dimensions to this drama, which is turning out to be very good.
Paul Hirons
READ MORE: OUR EPISODE ONE REVIEW